At Castalia House, we are intent on building gradually, on the strong foundations of well-loved series of novels rather than chasing one-off hits. Amazon has listed Arts of Dark and Light as a series now, and the reviews for the latest installment continue to be gratifyingly positive.
Vox Day has a gift. He is exceptionally skilled at crafting viewpoints that are reasonable, relatable, emotionally compelling, and completely opposed to each other. This serves him well in the genre of epic fantasy, as it enables him to ensure the reader is fully invested in all the many pieces that make up the puzzle of a great fantasy epic.
Not only do his characters feel realized, his plot is suitably grand. From labyrinthine schemes, to an army that has yet to show its true terror, and a pervading presence of evil that threatens all of Selenoth, our heroes have quite the obstacles to overcome. With these first two books we’ve been shown small pieces of the disaster that is to befall Selenoth, and I for one, cannot wait for the next installment.
Head and shoulders above its predecessor, which is no mean feat! It manages to have multiple characters with completely different viewpoints without a) becoming a confusing mess or b) being disappointing when subbing in an uninteresting character for an interesting one, since all the characters were genuinely interesting. All were fully fleshed out and heroic in their own way. Amazing world-building also really made the story come alive, everything had a real sense of place. A fantastic read, and I can’t wait for the next book in the series!
One of my favorite, all-too-brief parts of Lord of the Rings was the brief view of things we get from an orcish perspective when Sam is temporarily bearing the ring on Frodo’s behalf; not with guilty pleasure because the orcs were bad, but because it gave us a glimpse of the world of Middle Earth and War of the Ring from such a different point of view. A Sea of Skulls, the second installment in the Arts of Dark and Light
trilogy pentalogy set in the world of Selenoth–a fantasy realm where elves and dwarves, orcs and goblins, have been partially displaced by a Catholicized Roman Empire exerting powerful influence through the iron discipline of its legions–gives us that and much more.
If you’ve ever wondered what it would be like for Roman infantry, with their centurions and balllistae, to stand their ground against goblin hordes, war pigs, and orcish shamans (or have now begun to wonder), the world of Selenoth is for you, and the Arts of Dark and Light
trilogy pentalogy tells a complex and engaging story of war and intrigue set in that world as the various races of Selenoth are manipulated and set against each other by powerful actors in the shadows….
This is grown-up fantasy which makes for a decent study of human (or orcish, for that matter) nature, not to mention Roman military chain of command, and entertains questions like how the seemingly inevitable decline of an advanced but decadent elven civilization could possibly be reversed, and how dwarves unexpectedly stuck in their own tunnels might feel about it. The violence depicted is quite explicit, both in the grim reality of war and especially in the opening scene of a brutal orc raid on a human village, but not exulted in, and one manages to understand the comradery-in-arms of warriors on every side of the struggle, human or otherwise.
But speaking of trilogies that are not trilogies, let’s not forget the first quarter of John C. Wright’s excellent Moth & Cobweb series. The final book of The Green Knight’s Squire have also been getting excellent reviews.
If you like the old tales of elves, heroes, Arthurian legends, men and monsters and great deeds, then you will enjoy this modern retelling. Highly enjoyable and recommended.
Swan Knight’s Sword is a fitting end to the story of Gilberec Moth, an idealistic teenager out of place in the human world who gradually becomes a brave, worthy, Christian knight….The same elements present in the earlier works are apparent here. Swashbuckling adventure featuring lavish description of mystical beings and surroundings as well as full-blooded, desperate combat. A strong sense of Christian morality. Many newly revealed secrets of both Gil’s past and the elf world.
As with the second book, there are a myriad of references, both Christian and pagan, expertly blended together. I was particularly amused by the one to a character of Edgar Rice Burroughs, an author all modern adventure writers owe a debt of gratitude to. Or the use of Roland’s horn.
However, this installment also introduces several new wrinkles. There is a more varied, consistent use of humor. Much of it comes from Ruff, Gil’s trusty dog whose barks he can understand. In fact, all the interaction with Gil talking to animals is funny. John C Wright evidently discovered the same comedic truth that Ricky Gervais has; personifying animals is always funny. There is also verbal humor and some absurdist situations.
Swan Knight’s Sword features an especially strong conclusion, being the culmination of Gil’s transformation from a strange boy into a righteous, mighty man. While it satisfyingly ends this tale of Gilberec Moth, it promises more adventure for both him and the world at large.
Swan Knight’s Sword is the best in this trilogy. A beautiful paean of adventure, courage, honor, loyalty and love. This book reminds me of the stuff I read in my youth, before the fantasy genre was a cesspool of pornography and meaningless nihilistic violence. I laughed, I cried, I wished I had a sword. But of course one does not simply walk into MordorMart and buy a sword, one must be bequeathed a sword by a father, or win one in a heroic quest. And sometimes one must hunt down and confront the magically invulnerable sasquatch that stole your father’s sword. This is one of those times…