Fight the real battle, Marvel

Despite its best efforts to anticipate the SJW Narrative, Marvel’s Endgame falls well short of the expectations of the SJW thought police:

The Marvel blockbuster is predicted to surpass its predecessor, Avengers: Infinity War, by £200million, which would crown the new superhero film the largest debut in the history of cinema – and possibly the first film to break one billion dollars in less than a week.

Endgame’s roster includes at least 30 superheroes, but it seems the real battle is more one between the sexes than against gauntlet-wielding super villains – as major male characters enjoy a combined 381 minutes of screen-time, compared to only 116 for their female counterparts.

Chris Evans’ Captain America enjoys one hour and six minutes of screen time – the most of any of the film’s stars – followed by Robert Downey Jnr’s Iron Man with one hour and two minutes, and Chris Hemsworth’s Thor with 45 minutes.

British actress Karen Gillan, known for playing Amy Pond in Doctor Who, has the most screen time of all the female stars, and the fourth most of all, appearing for 41 minutes as the cyborg Nebula, but the franchise’s latest star Captain Marvel, played by Brie Larson, appears for only 15 minutes, despite her recent blockbuster.

I am shocked, appalled, and offended. I expect, and sincerely hope, that Marvel addresses this terrible sexual screen time imbalance in all its future movies. Do they not know it is 2019 and not 1950? Do better, Marvel. Do better!


Up next: Black lesbian Thor

Marvel Films is determined to create space for the inevitable competition:

A new rumor indicates that Thor 4 could feature a female led.

The rumor from Cosmic Book News points to an interview with the Los Angeles Times, Thor: Ragnarok actress Tessa Thompson noted she believes a pitch for a Thor 4 film has been made:

“I heard that a pitch has happened for [another “Thor” film]. I don’t know how real that intel is, but I hear that the pitch has happened. I think the idea is Taika [Waititi, who directed ‘Ragnarok’] would come back.”

She also discussed the future of the Marvel Cinematic Universe and how it will be more female-oriented when discussing a recent fan tweet showing Captain Marvel and Valkyrie together:

“It didn’t even occur to me, legitimately, that it was necessarily a romantic thing. I don’t even know what happens in the canon in terms of those characters or if they ever intersect, but I just love the idea of more women Marvel characters getting to intersect. I just think it’s so cool and it’s time and why not? There’s so many compelling female characters inside of the MCU.”

She added:

“And just selfishly, when I get to see those women in passing, they’re all such cool women. So the idea of getting to spend time with them and hang out is so fun. I’m just excited that this new phase promises to have women and queer folks.”

Some people are under the mistaken impression that these developments are upsetting to us. Quite the contrary. We are 100 percent in favor of Marvel and DC completely embracing and celebrating the ever-mutating SJW Narrative, on the grounds that one should never interrupt one’s enemy when he is… doing exactly the right thing for Social Justice and the Post-American Way.


The beatings will continue until morale improves

The SJW insanity at Disney isn’t likely to stop any time soon. In fact, it will probably accelerate. Wall Street LOVES what Bob Iger is doing at Disney:

Stars like to boast that they never read their reviews, but does Bob Iger? The Disney czar received a litany of raves for his three-hour performance last week aimed at demonstrating his company’s intention to conquer Netflix. The upshot: Disney shares hit record highs and famously skeptical analysts bubbled that Iger’s presentation was “impressive” and “compelling.” Analyst Todd Juenger even lauded Iger’s insistent repetition of the word “aggressive.”

The bottom line is that Wall Street believes Disney has the resources, momentum and, definitely, the aggression to achieve its objectives. Iger is thus “king of the world,” at least within the entertainment ecosystem; he even owns the James Cameron franchises to prove it (Cameron was the original self-anointed king).

What they are doing is working in the short term even as they stuff themselves on their seed corn. If Wall Street loves it, you can be confident that financial strip-mining and short time preferences are in play. This bodes very, very well for Arkhaven’s plans, the most important new aspect of which will be announced early next month, and in which you will be able to not only support, but participate directly.


Devil Mouse to cut up to 10,000 jobs

Disney appears to be a lot more likely to shut down Marvel Comics than anyone likely believes. They’ve already shut down Fox 2000, which produced more revenue from a single movie release than comic sales ever could:

Disney still hasn’t disclosed an official number of jobs they plan to cut. Analysts estimate 4,000-10,000, though several employees say the number being floated among people in the know is closer to 3,000….

One employee on the TV side told THR how disheartened the television employees were at witnessing the carnage in film, but later the ax began to fall there, as well, with 20th Television president Greg Meidel let go.

Disney also laid off Fox Consumer Products boss Jim Fielding, and sources say that of about 50 U.S.-based staffers in that division, five have received pink slips. “I’ve never seen anything like this — from any company,” says a Fox employee who witnessed Thursday’s drama.

Disney has said all along that it intends, due to the merger, to save $2 billion annually by 2021, and such rhetoric usually means jobs will be lost. “This is what happens in mergers,” explains Northlake Capital Management founder Steven Birenberg. “It’s partially the point, as cost savings boost the financials.”

It’s possible that the cost savings will be limited to the Fox acquisition, but in light of the multi-year decline in Marvel revenues combined with the budget imperative, it wouldn’t exactly be shocking to see them shut down the production and pursue a licensing strategy.


Cat ladies will love it!

You can’t make this stuff up. You really can’t. A “glowing review” of the forthcoming Captain Marvel movie:

Some initial #CaptainMarvel reactions:

1. Cat people will love this movie.
2. Several truly magnificent music moments for this 90s kid.
3. Carol’s hero moment was very cathartic/true to the female experience, imho.
4. The MCU feels more complete now that Carol is in it. ♥️

I suspect serious Marvel fans are going to hate this thing with a fury hotter than angry Star Wars fans contemplating the next entry in the Disney Wars movie franchise: Rose Tico: Poledancer: A STAR WARS Story.

When – not if, when – Arkhaven Studios begins making movies, I guarantee that they will not merely be better than this SJW nonsense, they will be vastly better despite having budgets that are two orders of magnitude lower.


Jumping the narrative

Nothing like getting your story written three weeks early.

Though it won’t hit theaters for another three weeks, Captain Marvel is already being review bombed on Rotten Tomatoes. These reviews aren’t from critics or journalists, but from angry impotent men flooding the audience reviews with their anger. What are they angry about? So many things!

Men are shouting from basements all across the land about Brie Larson, her feminism and liberal politics, how Captain Marvel is an SJW film, and ARG WOMEN I HATE THEM WHY WON’T THEY LOVE ME!? Sidebar: I still don’t get how “social justice warrior” is an insult? Like, those are all good qualities and it’s basically a superhero name. If anyone needs someone to write a Social Justice Warrior origin story, call me.

The point of this kind of review bombing campaign is to drag down the average audience rating to discourage folks from seeing the film. In some instances it works, like with 2016’s Ghostbusters, which suffered from massive downvoting of the trailer on YouTube, as well as a rush of one star IMDb reviews. The film even added a scene featuring the Ghostbusters reading nasty internet comments about themselves in a moment of meta-awareness.

The viciousness of this review bombing campaign is particularly noteworthy given that the bomb-to-be isn’t even reviewable on Rotten Tomatoes yet.

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Everything is falling into place

Now Disney is destroying the Marvel Comic Universe:

I previously wrote how Brie Larson is a huge gamble for Disney and Kevin Feige – especially following the failure of Star Wars: The Last Jedi – and now the Captain Marvel movie looks to be in big, big trouble, unfortunately.

Back in January, following the NCAA trailer, it was reported that Captain Marvel was projected to have a massive $160 million opening weekend with some estimates even offering $180 million.

However, the bad news for Kevin Feige and Captain Marvel is that those projections have now dropped upwards of $80 million (note: article has been updated to reflect million and not percent), as it is reported the flick may only open around $100 million.

The latest projections come from Deadline, with the site offering Captain Marvel will now open in line with other Marvel origin films, but won’t come anywhere near Black Panther’s $202 million. Interestingly enough, further evidence Captain Marvel is not as highly regarded among fans comes from the fact that Black Panther supporters have not supported the Captain Marvel gofundme to get girls to go see the movie.

There is also a huge problem with Brie Larson who has been spinning Captain Marvel as a feminist movie, essentially isolating the audience, and she even recently came out against white males for some reason. I’m actually surprised and disappointed in Kevin Feige that he is allowing Larson to destroy the MCU audience, and that Disney and CEO Bob Iger haven’t learned anything from Star Wars.

It’s mildly amusing to observe that the media simply can’t grasp that Disney WANTS to destroy Star Wars and Marvel and everything else that appeals to white men. That’s why they acquired it in the first place.


The sickness of Spielberg

Owen Benjamin calls out Hollywood’s biggest monster. Arthur C. Clarke… so what are the odds. One 26-minute silent film and he’s handed a 7-year multi-million-dollar movie contract. Why? Because he demonstrated his ability to be subversive about his sickness in a subtle manner that did not alert the audience.

Krispin Glover, who refused to keep working for Spielberg, tried to warn everyone:

Does Steven Spielberg focus much of his fantasy life on young people? Did he portray children wallowing in sewers filled with fecal matter in Schindler’s List? Did he use children to finger paint an adult in Hook? Does he collect the illustrations of Norman Rockwell, such as the one showing a young boy in his underwear examined by a doctor? Are the inclinations of Steven Spielberg above suspicion by the media-fed culture? Was Steven Spielberg very friendly with Michael Jackson? Wasn’t Michael Jackson supposed to play Peter Pan in Steven Spielberg’s version of the story? Now that Michael Jackson is no longer held in favor by the mass media, does Spielberg associate with him? Do Michael Jackson and Steven Spielberg share similar opinions about the sexuality of young boys?


Another fake story out of Hollywood

I’m not even remotely surprised to hear that the latest feel-good movie about how we’re all the same under the skin is a complete fiction:

Green Book is a ‘culturally tone deaf’ portrayal of a friendship that never was.

It is a ‘shameful travesty’, inaccurate to the point of fiction that diminishes an exquisitely talented man and casts him as supporting actor in the story of his own life.

And for the movie to win an Oscar would be ‘a slap in the face for communities of color.’

This is the view of Dr Donald Shirley’s family, speaking out in the week that the movie, billed as a heartwarming tale of the unlikely friendship between the black pianist and an Italian American who was briefly his driver, is nominated for five Oscars including Best Picture and Best Actor and Supporting Actor.

The movie focuses on a tour of the segregated south undertaken by Shirley at the height of the Jim Crow era in 1962.

Written by Nick Vallelonga, it charts the supposed friendship that grew between Shirley and the screenwriter’s father Tony ‘Lip’ Vallelonga.

But today, in an exclusive interview with DailyMailTV, Shirley’s last surviving brother, Maurice, 82, has slammed the movie, for which no family members were consulted, as ‘a symphony of lies.’

These movies are designed to make white people feel good about themselves. Which, of course, is why so many black people rightly despise them.